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In writing

Hamlet,

Shakespeare

was not

only

embracing,

deliberatelyand

wholeheartedly,

a set of

theatrical

conventions

which his

audience

would

understand

as being

in

thetradition

of English

Senecan

revenge

drama; he

was going

a step

further by

taking an

old and

well-knownplay

which is a

jokey

byword for

the whole

Senecan

tradition

and

rewriting

that, by

carrying

on his

intenselyactive

and

inventive

creation,

deepening

his

profound

thinking

contents,

enquiring

deeply